Managing creative environment
Japanese artist’s Kyoichi Tsuzuki’s home and office in Tokyo. Tsuzuki is
an artist, journalist, editor, art curator,
nightclub designer, book publisher and latterly, photographer, he has made it
his life’s mission to reveal and define creativity as it manifests itself
outside ‘high’ or mainstream culture (The
Photographers' Gallery, http://www.photonet.org.uk/index.php?pxid=129).
Abigail Ahern is now heralded as one of the hottest designers in the UK. She works with the interiors, furniture and decotation, brand development. She is known for glamorous and multilayered, colourful style (http://www.atelierabigailahern.com/).
Artist‘s studios and the whole environment is creative,
if they feel the lack of ideas they cam grab anything they need from the shelf
and start generating ideas. The environment is also very personal, collection
of books, journals, toys, decorations, stationery, paintings, artwork,
computers – everyting we can see is useful, everything seems to have place in
almost overloaded interiors. Memories, new stuff, information, they just have
to grab it if they need any of these, but every single thing is important,
nothing is there wothout a purpose. Collection of books also help to generate
new ideas, to rest from old work, to charge yoursef. It gives more cosiness to
the room, more intimacy and artistic mess. Maybe for other people half of the
stuff could seem to be totally unuseful rubbish, but in the artist‘s hands it
becomes more than this, it becomes start point of ideas, of job, it becomes
inspiration and grows into something huge, something that you can not be
apathetic.
Restating problems
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