A day with the jeweller

My pictures for university project, documentary photography.

Birmingham is the city, known for it’s jewellers and the Jewellery quarter is the The Jewellery Quarter is Europe's largest concentration of businesses involved in the jewellery trade. In the small area of around one square kilometer, around 40 % of jewellery made in UK is produced.

And that was the main inspiration for the project. Therefore I spent time with an amazing jeweller, Laura Golborne at work, documenting the process of creating the art pieces.
Check the work of the artst here: http://www.lauragolborne.com/


First are the final 6 pictures, submitted for the project: 

























 




Obsession. Dagija

Tai yra apie apsėdimus. Apie žmones. Apie dalykus, be kurių jie negali gyventi. Nes visi turi kažką keisto. Arba per daug normalaus.
Visada laukiu naujų žmonių, kurie nori įamžint savo apsėdimą. Pomėgį. Įprotį.
Žmonės nuotraukose yra iliustracijų autoriai.

This is about obsessions. About people. About things they can‘t live witout. Because everybody has something weird. Or something overly normal.
I am always waiting for people who want to record their obsession. Habbit. Hobby.
People in the pictures are the authors of illustrations.

The fourth one

The fifth one.
Dagija. Interested in Japanese language and culture.







 






Genius of moving image. Sam Taylor Wood

1 List two specific key relationships between Sam Taylor Wood's photography and film work?
Her work consists of people and emotions, that is the most important in her work.

2 How does the use of multi-screen installation in her work reflect narrative?
It allows the viewer to create story himself rather than a story being told by the artist. Multi screen installation reflects narrative in a way that shows it is constructed rather than one that is being dictated to you.


3 What other photographers use film as an integral part of their work. List two with examples?
Gregory Crewdson. Photographer, who does not even like to hold camera. Although picture is the final product, but artist uses film setup, hollywood manner, lighting, actors to create one perfect shot. Crewdson eves has his camera man, art director etc.

Tim Walker. British fashion photographer recently started working with moving image. The Lost Explorer - http://www.youtube.com/watch?v=WAZKuHFOX3k

4 Research three other Video artists and explain
their working philosophy
Tim Burton – american film director, started his career as an animator, his movies are still very much merged with illustration. In his movies frequent details are: spirals, skeletons, gothic elements, long-legged, small-feet charecters. Often collaborates with: Johnny Depp, Danny Elfman, Helena-Boham Carter.
Woody Allen was born December 1, 1935 in Brooklyn, New York. As a young boy he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today. He broke into show business at age 15 when he started writing jokes for a local paper, receiving $200 a week. His movies contain alot of pfilosophical and sexual themes.
David Abelevich Kaufman (Russian: Дави́д А́белевич Ка́уфман) (2 January 1896 – 12 February 1954), better known by his pseudonym Dziga Vertov (Russian: Дзи́га Ве́ртов), was a Soviet pioneer documentary film, newsreel director and cinema theorist. His filming practices and theories influenced the Cinéma vérité style of documentary moviemaking and, in particular the Dziga Vertov Group active in the 1960s.

Genius of Moving Image. Chris Cunningham

1. How did Bjork and Chris collaborate on the All is full of love video?
Bjork did not required anything – artists shared their ideas only – in singers imagination the video was white, containing hard surface that melts because of love and containing erotic themes, then Chris Cunningham cam eup with the concept and idea for the video.

2. What techniques were used on the portishead video to create the unusual slow motion effects? Research this.
It is shot underwater, people were floating in a tank and then digitally inserted into scenes.

3. What other music video directors have gone on to direct feature films? Name two and the feature films they have made.
David Fincher – Curious case of Benjamin Button, Social Network.
Jonas Åkerlund - Horsemen, Small Apartments

4. Which famous sci - fi film did Chris Cunningham’s work on before he became a director?
He had worked for over a year on the film A.I.

5. What makes his work different or original compared to other similar directors?
He has a very different style from other music video directors, his ideas are daring, shocking and unforgettable. Approach: "Many people think my works are scary. Personally, I find them hilarious. Spice Girls videos are scary to me." 

Genius of moving image. Visions of Light

1   What is the role of the cinematographer in film making?
Cinematographer has to understand the story and find allusive images that help to tell that story. He is responsible for visual presentation, lighting, emphasizing one or another thing in the frame, scene, movie.

2       Why did director Roman Polanski insist on using hand held camera in the film Chinatown?
He used this technique to intimidate actors, hereby forcing them to behave spontaneously, creating voyeuristic kind of look, so that the viewer would feel like participating in the story himself.

3       Name two films which use colour in a very symbolic way, and describe what they suggest.
‘McCabe and Mrs. Miller’, cinematographer uses faded colours to mimic old pictures,  photographs, taken many years ago to make movie more believable, old-looking atmosphere.
‘Godfather’. In this movie a lot of yellow, yellow-red colour is used to create dangerous, brassy period-movie atmosphere, these colours broke into motion picture business long after that.
‘The Last Emperor’, yellow – colour of emperors, power, sky, sun itself, red – colour of Peking, of the forbidden city, green – means knowledge, forbidden information in the closed, self-contained city.

4       In the film Raging Bull why was the fight scene filmed at different speeds?
The fight itself was usually 24 frames/sec, parts where men are not actually fighting, were shot at 48 frames/sec. Every fight was different. And people remember those fights as big flash pictures from ‘Life’ magazine. Creators were showing off as well.

5       Who is the cinematographer for the film Apocalypse Now, and what is his philosophy?
Vittorio Storaro. He sais that photography is a single person’s art, like music, painting, writing whereas cinematography is communal art, it can not be expressed by one single person.